Bashu, the Little Stranger

New Restoration “His finest post-revolutionary film … Beyzaie masterfully links the fragmentation of national identity to language and the failures of communication.” Ehsan Khoshbakht, The Guardian Bahram Beyzaie made his masterpiece during the height of the Iran–Iraq war. An anti-war film that completely destabilizes the hardened positions of nationality and authority, Bashu, the Little Stranger was banned until the war was over. It is neither didactic nor sentimental, yet Bashu is instructive and powerfully persuasive in harnessing Beyzaie’s art, rooted in theatre and ancient culture, toward that most contemporary of subjects: the cost of modern warfare. Bashu is a war orphan in rural northern Iran; he is adopted by Naii (the great Susan Taslimi), a single mother of two, out of necessity and a shared recognition of their intense drives toward life at all costs. Villagers turn against her. They accuse her of confusing friends and enemies, and Bashu doesn’t speak their language. Beyzaie turns Naii’s yard into a ceremonial space, emphasizing through sound and gesture how ​“understanding” and ​“conflict” are rooted in and enacted by something animal within the human. In Gilaki, Arabic, and Farsi with English subtitles The opening-night screening on September 3 will be introduced by filmmaker and editor Sam Mohseni, whose graduate studies focused on the cinema of Beyzaie. Best Restored Film Venice International Film Festival 2025 “Beyzaie’s cinema can thicken an image quickly with cultural resonance—ritual, myth, collective memory—and in Bashu that density often deepens the film’s emotional impact.” Arta Barzanji, Metrograph Journal “Beyzaie interlocks shots in ways that are always unexpected, much like Max Jacob would end his sentences with [a] jolt … The film is a…