Opening Reception at AU Museum at Katzen

It's time for another AU Museum at the Katzen Opening Reception! As usual, it looks like a good one, with paintings and photos representing a diverse group of artists! Hope you can join us!

Should be the usual drill. They put out some nice food at 6 pm with a cash bar. We usually socialize from about 6-7 and then head up to the third floor and work our way down. Metered garage parking or bus from metro.

Here are the exhibits: Ahn Chang-Hong, Artist BG Muhn and Jack Rasmussen, Curators American University Museum is honored to present noon-mool (tears), a major solo exhibition by Korean artist Ahn Chang-Hong. Occupying both the second and third floors of the museum, the exhibition offers a rare opportunity to experience the breadth of one of Korea's most significant contemporary artists through a comprehensive presentation of his recent work.

Beyond Words: The Sacred Art of Ayesha Kamal showcases the work of internationally exhibited contemporary Islamic calligrapher Ayesha Kamal through a remarkable collection of large-scale mixed-media paintings that explore the enduring relationship between faith, artistic expression, and cultural heritage. Drawing upon the rich traditions of Islamic calligraphy, the exhibition reveals how sacred text can be reimagined through a distinctly contemporary artistic vision.

Observer: The Street Photographs of Norman S. Carr, ]Carolyn Kinder Carr, Curator In 2000, after a forty-year career as a lawyer, Norman Carr turned his attention to photography. He was eager to use the “eye” he had employed as a collector of work by important twentieth-century American photographers to make images that were distinctly his own and could, perhaps, rival the best of those by noted professionals. '

Double Feature: Two Graphic Narratives by Mary Garrard

Double Feature: Two Graphic Narratives A Project Space Exhibition Mary Garrard, Artist Jack Rasmussen, Curator Mary Garrard, professor emerita of art history at American University, is known for her pioneering scholarship on Artemisia Gentileschi and other Renaissance women artists. After a long career of interpreting images, Garrard has turned to creating them.